Sunday, April 3, 2016
Thursday, January 7, 2016
Emma Bovary
by Monica Ferrell
I would have liked then for someone to touch me
So I could know the purpose of this hardship.
Black-eyed and impassive as a canyon,
From the hive of my mind, I looked at their faces
As I moved between rows of espaliered pears.
I only intended for someone to show
Me, once, an affection like the sun
Shows even the simplest bulb, entering what’s hidden.
Let me show them instead the picture
In a knife’s reflection, take down my hair
Where the gravedigger kneels among new potatoes.
Behind my teeth are headstones, and behind those
Skeletons of cavemen, of dinosaurs,
And under my skin: alphabets, alphabets
In black ink, a legacy of histories tiny and alive
As an ant army marching toward forever.
Understand, please—I, too, have a splendid use,
This world could not get rid of me if it wanted to.
Tuesday, November 10, 2015
What Was Told, That
by Jalal al-Din Rumi, 1207 - 1273
What was said to the rose that made it open was said
to me here in my chest.
What was told the cypress that made it strong
and straight, what was
whispered the jasmine so it is what it is, whatever made
sugarcane sweet, whatever
was said to the inhabitants of the town of Chigil in
Turkestan that makes them
so handsome, whatever lets the pomegranate flower blush
like a human face, that is
being said to me now. I blush. Whatever put eloquence in
language, that’s happening here.
The great warehouse doors open; I fill with gratitude,
chewing a piece of sugarcane,
in love with the one to whom every that belongs!
What was said to the rose that made it open was said
to me here in my chest.
What was told the cypress that made it strong
and straight, what was
whispered the jasmine so it is what it is, whatever made
sugarcane sweet, whatever
was said to the inhabitants of the town of Chigil in
Turkestan that makes them
so handsome, whatever lets the pomegranate flower blush
like a human face, that is
being said to me now. I blush. Whatever put eloquence in
language, that’s happening here.
The great warehouse doors open; I fill with gratitude,
chewing a piece of sugarcane,
in love with the one to whom every that belongs!
Monday, October 26, 2015
Swimming
Swimming
by Carl Phillips
Some nights, I rise from the latest excuse for
Why not stay awhile, usually that hour when
the coyotes roam the streets as if they’ve always
owned the place and had come back inspecting now
for damage. But what hasn’t been damaged? History
here means a history of storms rushing the trees
for so long, their bowed shapes seem a kind of star—
worth trusting, I mean, as in how the helmsman,
steering home, knows what star to lean on. Do
people, anymore, even say helmsman? Everything
in waves, or at least wave-like, as when another’s
suffering, being greater, displaces our own, or
I understand it should, which is meant to be
different, I’m sure of it, from that pleasure
Lucretius speaks of, in witnessing from land
a ship foundering at sea, though more and more
it all seems related. I love the nights here. I love
the jetty’s black ghost-finger, how it calms
the harbor, how the fog hanging stranded just
above the water is fog, finally, not the left-behind
parts of those questions from which I half-wish
I could school my mind, desperate cargo,
to keep a little distance. An old map from when
this place was first settled shows monsters
everywhere, once the shore gives out—it can still
feel like that: I dive in, and they rise like faithfulness
itself, watery pallbearers heading seaward, and
I the raft they steady. It seems there’s no turning back.
by Carl Phillips
Some nights, I rise from the latest excuse for
Why not stay awhile, usually that hour when
the coyotes roam the streets as if they’ve always
owned the place and had come back inspecting now
for damage. But what hasn’t been damaged? History
here means a history of storms rushing the trees
for so long, their bowed shapes seem a kind of star—
worth trusting, I mean, as in how the helmsman,
steering home, knows what star to lean on. Do
people, anymore, even say helmsman? Everything
in waves, or at least wave-like, as when another’s
suffering, being greater, displaces our own, or
I understand it should, which is meant to be
different, I’m sure of it, from that pleasure
Lucretius speaks of, in witnessing from land
a ship foundering at sea, though more and more
it all seems related. I love the nights here. I love
the jetty’s black ghost-finger, how it calms
the harbor, how the fog hanging stranded just
above the water is fog, finally, not the left-behind
parts of those questions from which I half-wish
I could school my mind, desperate cargo,
to keep a little distance. An old map from when
this place was first settled shows monsters
everywhere, once the shore gives out—it can still
feel like that: I dive in, and they rise like faithfulness
itself, watery pallbearers heading seaward, and
I the raft they steady. It seems there’s no turning back.
Thursday, August 27, 2015
Wednesday, July 29, 2015
Hermitage
by Joseph Fasano
It’s true there were times when it was too much
and I slipped off in the first light or its last hour
and drove up through the crooked way of the valley
and swam out to those ruins on an island.
Blackbirds were the only music in the spruces,
and the stars, as they faded out, offered themselves to me
like glasses of water ringing by the empty linens of the dead.
When Delilah watched the dark hair of her lover
tumble, she did not shatter. When Abraham
relented, he did not relent.
Still, I would tell you of the humbling and the waking.
I would tell you of the wild hours of surrender,
when the river stripped the cove’s stones
from the margin and the blackbirds built
their strict songs in the high
pines, when the great nests swayed the lattice
of the branches, the moon’s brute music
touching them with fire.
And you, there, stranger in the sway
of it, what would you have done
there, in the ruins, when they rose
from you, when the burning wings
ascended, when the old ghosts
shook the music from your branches and the great lie
of your one sweet life was lifted?
Tuesday, May 5, 2015
Spring Running Playlist
Fall Out Boy – Uma Thurman
Wyclef Jean Ft. Avicii – Divine Sorrow
DJ Snake & AlunaGeorge – You Know You Like It
Giorgio Moroder Ft. Sia – Déjà vu
Odesza Ft. Zyra – It’s Only
Panic! At the Disco – Hallelujah
Misterwives – Reflections
X Ambassadors – Renegades
Broods – Mother & Father
Banks – Beggin’ for a Thread
OMI – Cheerleader
Odessa – Hummed Low
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